Key Sentence:
- The pop-art duo discussed a reunion with legendary French writer Leos Carax.
- I almost worked with Rihanna and set this oral sex scene to music with Adam Driver.
So whimsical and deeply touching, Annette is a perverted rock opera that will tickle you to death. Adam Driver whispers lullabies while playing cunnilingus, Marion Cotillard gives birth to wood puppets. The film’s music is almost constantly composed by the pop-art duo Sparks – it’s a musical yet melancholic drama that takes place on the most giant and most potent screen that can be seen.
The term naturally applies to any film by Leos Carax, the legendary French writer behind Mauvais and Lovers on the Bridge. Carax’s voice even opened Annette, her sixth film in 40 years, with the instructions: “Ladies and gentlemen, they now ask for your full attention.
If you want to sing, laugh, clap, cry, yawn, roar, or fart, feel free to do it in your head. Only in your head. “
As you may have read but never thought of in your head, Annette is an epic musical where the dialogue is almost sung. The driver plays comedian Henry McHenry. Whose audience is a chorus – they sing and laugh in unison at a rhythmic 4/4 rhythm or tune their staccato (“Sick! Sick! Sick!”) with melodic poison. Also in Hollywood is Anne, a soprano star played by Cotillard in La Vie en Rose fashion.
Anne entertained Annette Sparks the audience with subtle bursts of emotion that lasted several octaves; after the performance, Anne’s opera confession continued. Together, the two sang “We Love So Much” and later gave birth to Annette’s baby, who turned out to be a doll with a beautiful voice.
When cold-blooded murder and ghostly whispers enter the color-coded images. You are convinced that only a mad Marik like Carax can create disturbing dream-like images.
Annette is a descendant of the Sparks, who invented the story, wrote the screenplay with Carax. Composed all the music. If you’ve lived under a rock from the past five decades – or when Edgar Wright’s documentary The Sparks Brothers came out earlier this year – the Sparks are made up of two brothers, Ron and Russell Mail, aged 76 and 72.
The Los Angeles-based American band has recorded 24 different albums and won over fans like Bjork, Thurston Moore, and Jack Antonoff. Annette Sparks At concerts, Ron usually stays on the keyboard while Russell hangs around the stage with a microphone.
When I spoke to them via Zoom in late August, they shared their language obligations.
“We love making musicals that aren’t as traditional as musicals should be,” says Russell. “Annette is not an optimistic film with a happy ending like many musicals. You can do darker things and use a non-traditional theme in the context of a music film.
Things don’t have to be choreographed with a dance routine. Movement can be naturalistic. As Carax’s introduction suggests, Annette is a film you should see immediately, no matter. Which screen you choose, with a music-driven plot that develops like a magic trick. Reminiscent of Richard Linklater’s son, the character gradually develops, scene by scene. And ends with Henry realizing how drastically he has changed physically.
The Maels were at the festival to buy proposed music for Ingmar Bergman; Carax played on Croisette for Holy Motors, Sparks’ 1976 song “How Are We Getting Home?” included in the soundtrack. Carax turned down Bergman’s performance but asked to send Annette a script and demonstration. “The Lions told us he’s a huge Sparks fan,” Russell said. “We felt connected to him… After thinking about it, he said, ‘I want to direct this as my next film. “