The Cayman Islands-born vocalist and manufacturer on Baroque artwork, island life, and why responsible pleasures get a bad rep
Sitting in a quaint, sun-dappled patio among ferns and potted flora is Maeve, the genre-bending, Cayman Islands-born musician whose tune is haunting but hopeful. Her laid-again and contemplative manner of speaking have a way of right away enjoyable you and is simplest interrupted intermittently via her Great Dane. He comes over to nudge her lovingly.
The latest launch from Maeve – real call Arianna Broderick – is a creative and resourceful EP aptly named Caravaggio in a Corner Store. The EP consists of 5 complicated, considerate tracks that fluctuate in pace and environment, ranging from the attractive, dancy haze of “Bleach” to the introspective tenderness of “Jonah.”
The lovesick belief of the song name takes on a new meaning with a surrealist video at once stimulated by using the artwork for Funkadelic’s “Maggot Brain,” which Maeve reimagined through a modern lens. The result is an intoxicating, otherworldly experience in which the concept of being ‘ill’ will become an anthem for people who don’t pretty in shape.
It’s this feeling of pushing barriers that Maeve is keen to hold to test, losing coy clues approximately how she plans to reimagine her stay performances into “something a bit one-of-a-kind, something extra.” Maeve: I didn’t even know it changed into a bank excursion because I became a writing track. I’m sort of in writing mode at the moment.
And speaking approximately writing, your new EP references art in its title – what inspired that?
Maeve: I get pretty stimulated with the aid of artwork. For example, when I wrote “Bleach,” I changed into looking at lots of Cindy Sherman’s work. I’m a visually inclined person. But with Caravaggio near a Corner Store, that could be a lyric from my music, “Sick.” I like the photo of locating some remarkable masterpiece somewhere which you’d least anticipate. I suppose that sums up the EP.
All of those unique elements and matters coming together, which you wouldn’t expect. It changed into actually a poem earlier than it has become music. It changed inside the middle of a thunderstorm, and I become sitting looking outside and just started gambling around with the synths to create the cinematic soundscape. And then it reminded me of the poem I’d written.