Key Sentence:
- In an ode to our 30th-anniversary cover, the timeless editor-in-chief of and Rihanna Stan Durga Chew-Bose explains.
- Why she’s the woman we’ve all been waiting for.
There seems to be a misunderstanding. Like it or not, you really can’t wait for Rihanna. The opening was imprecise, even if it was broadcast sotto voce by his biggest fans. Permanent. Despite repeated complaints, no one should mark time like this, of course. This is a great scam that ignores pop star signals. There are many signals. The way she regularly creates her friendly mix of bewildering beauty, playfulness, seduction, good humor, and marvelous light, not to mention an entire intense and generative regent.
Isn’t it true that Rihanna erects a memorial, sends missiles, and broadcasts group texts with every new outfit? She gave denim an ulterior motive, restored a thin heel, and worked on a hat concept. She has lovely fur and arranges Chanel pearls when she goes to the store. He could only play for his audience in torn and pink cuts. It is invisible; we know that. When Rihanna checked her shoulder, it created a total solar eclipse. When Rihanna showed up on the long yellow train, the red carpet receded. Silk, as we observed, fell differently on Rihanna.
It finds its final form.
But the premium of his getting in and out of the car – creating a new room every time he gets out of the car or restaurant – is missing for those busy nagging about more. When music comes, whenever it comes, the idea that it “came too late” became a preconceived caliber of impatience that didn’t sit well with Rihanna. Because their project is big, spread out in their sunny weather.
The order of things isn’t problematic, and the idea of a late album doesn’t understand something straightforward. Is there ever a feeling that is more aroused and at the same time intangible than one might expect? Has there ever been an artist whose daily gig played out this kind of fun to perfection? If longing is kept away from some level of dread, next to sports (and business) being a good joke, then the fact that Rihanna has no obligations is probably the most luxurious love value there is.
He is the one who has to maintain the account. As the critic, Doreen St. Felix in 2015: “…as a black woman whose artistic brilliance surpassed her peers and music manager by what she has felt over the years, (Rihanna) will always be indebted to (Rihanna).”
Anticipating Rihanna means experiencing a profitable breakthrough: an unorthodox pop star who slows down, watches, and grows as she overtakes everyone in her orbit. The Fenty universe is vast, even speculative (and worth over a billion as recently announced). The way Rihanna frees herself from the cycle of forced production without actually pulling back is strategic, of course, but also part of her appeal.
The feeling of lightness that pervades all your moves, messages, awards, covers, deals is like a halo – it makes you happy. She would design a perfume with a touch of rose and tangerine and pour it into a bottle of rich yellow, but no one would bother talking about roses and tangerines.
The smell, the smell. Rihanna This is the requirement.
Some people quote heaven when describing Rihanna’s scent. The others fell silent and blushed. Its proximity to it has become an industry unto itself. So much fun – that’s what makes us new. Artists and entrepreneurs with bright, sinuous visions who fly up and down with the gentle, learned power of a deep-set Yankee hat and, among other things, a very accessible smile. Cameras can hunt, but Rihanna is never in a hurry. Your steps are steps, calm and relaxed. We are the beneficiaries of what it discloses; this is the condition. Some of us, myself included, find this funny.