Key Sentence:
- It will be the artist’s previously affirmed live presentation since 2017.
Cast your brain back to the before times when Covid hadn’t yet cleared across the world, and Coachella had quite recently declared its 2020 setup. The main events were Frank Ocean, Travis Scott, and Rage Against The Machine.
The celebration president Paul Tollett has since reported that every one of the three of those main events will, in any case, head Coachella, with RATM and Travis Scott affirmed for the following year’s version. Straightforward Ocean, which isn’t accessible for the 2022 dates, is reserved for 2023.
“The present moment, it’s the Wild West,” Tollett told the Los Angeles Times.
. “I’m simply attempting to be as reasonable as possible to specialists and to the fans to ensure that ultimately they will see everybody that we discussed.” While 2023 may feel lightyears away, the booking marks Ocean’s initially affirmed live presentation since 2017. The craftsman has stayed under the radar since his 2019 contributions “DHL” and “In My Room” bar the arrival of twofold A-side single “Dear April” and “Cayendo” last year.
Somewhere else, it was accounted for that Ocean has been chipping away at a “confidential” project with Call Me By Your Name producer Luca Guadagnino – however, no further news has surfaced on the undertaking since. Usually, Tolet would never reveal the name of an act before but said that fans deserve the trust after the chaos and uncertainty of the past year and a half.
Initially booked for 2020 with fellow headliners Rage Against the Machine and Travis Scott, Ocean is unavailable for the rescheduled Coachella, which will take place at the Empire Polo Club over the weekend of April 15-17 April 22-24, 2022 at. In Indio, California (Rage Against the Machine and Scott will return, with a third headliner announced.)
Despite the wait, Frank Ocean’s performance remains a rare commodity. However, he participated in Coachella in 2012 and presented a particularly memorable set at the 2017 FYF Festival, which Times critic Mikael Wood described as “a unique work of art by a musician who has no interest in the mundane. .”