Louise Lynch Bjerregaard Weaves A New Sensual Body Language.
Key Sentence:
- The aspiring Danish designer discusses creating clothes that allow her to express in words what she can’t.
- Since its founding in 2006, Copenhagen Fashion Week has developed an instantly recognizable style.
This Lynch Bjerregaard capital has everything from Swedish fashion to Scandinavian fashion. Where delicate, colorful dresses, pastel prints, and beautiful coats are on and off the beaten path. Next season. Therefore, those who went against the grain were even more conspicuous.
Cut to Louise Lynn Beauregard, a budding designer whose work takes an entirely different approach. A graduate of Central Central Martins and with his expertise at Eckhaus Latta and Anne Sofie Madsen, Bjerregaard launched his name in 2019. With stretchy and stretchy striped knitwear, the brand’s core. His body silhouette speaks to new ideas about femininity and wraps around the body.
In historical and modern fashion, while random-looking cuts offer a sexy glint on skin.
“I have a language in textiles, and Lynch Bjerregaard expresses things I can’t put into words. She revealed her days before her place on the CPHFW program. “I like making clothes.”
However, this “language” goes beyond clothing alone. In conversation with the wearer, the designer introduces elements of performing arts into the story and invites them to contribute. Two years ago, he set up a studio in London’s premier Wood Wood and allowed clients to view his work for two weeks. Visitors can try knitting on one of their machines or watching her and her team work on the patchwork leather gown debuting as part of their AW21 collection.
After moving to Paris earlier this year, the proposal was first revealed. As part of an intimate salon event during Haute Couture Week last month. Since then, however, it has been kept under wraps until last week when Bjerregaard returned to Copenhagen.
“It took a bit of courage to accept that if I came here (CPH), I might attract attention with my clothes,” she said.
“You just have to tell yourself that it’s not bad, even if it feels uncomfortable at times. The collection itself was the largest to date, and he saw that it fulfilled his promise to get rid of the rope. The brand’s zero-waste policy has manifested itself in recycled colored leather such as collages sourced from furniture companies looking to dispose of them – and the latest woven fabrics stocked by their suppliers.
The designer took over the Charlottenborg Art Cinema for the film’s premiere. Which was shot in Paris, and provided insight into what was going on behind the scenes. And brought some of the chaos and fashion of the French city to the Danish capital.
Before sitting in the cinema, we met Bjerregaard as he talked about the nature of his work. How he got his footing at Saint Martin’s and what the future holds for knitwear.