During London Fashion Week, Here’s Your Guide To The Must-See Presentations.

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From Charles Jeffrey to Richard Quinn and Fashion East to Kiko Kostadinov, we bring together the best of the SS22 show.

When the creative industry suddenly had a mental break last year, many celebrated the blockade as an overdue escape from the helmet of the fashion calendar. Designers are rapidly changing digital gasoline. Among other things, fashionistas are repeating the word “digital” side by side for months. Unfortunately, both were held up as industry decisions to combat overconsumption. A magic cure for turbo-charged speeds, and an increasingly soulless Fashion Week factory.

As brands shoot videos (with varying degrees of success), the future of fashion shows is beginning to dawn. What happens when all this ends? Do we speculate that the track will become obsolete? For example, what is a private transmission? But, then, last week – after a miserable two-year gap – New York reinstated its IRL. And … people are happy. Designers deliver sexy and elaborate outfits while models dance and sometimes even jump on the catwalks.

And now is London’s chance to poke fun at the case.

From Charles Jeffrey to Richard Quinn and Fashion East to Kiko Kostadinov, the city has played host to well-known brands. And young designers showcasing collections of glued and glued ribbons in East London before going international. We’ll wrap up the best of the shows below, so keep signing up as the week progresses.

KIKO KOSTADINOV

Laura and Deana Fanning have spent the last few months feeling sad and thirsty for rest. Hailing from Melbourne, Australia, the twins remember all the teenage summers they spent feeling the sand on their toes. And pampering themselves on dirty beaches that read “Puberty Blues” and “On Your Knees” to wrap around.

Naughty surfers, colorful sunset wheels, and car bodies fill Kiko Kostadinov’s SS22 collection to create an eye-catching effect. The striped, inverted vest is wrapped around the body like a beach towel on wet leather. The low-slung denim is embroidered with the fruit found in the kitchen towels at the bottom of beach bags, and the nostalgic sarong-like cotton filters and spiral-shaped skirt. Turritella shells are glued to necklaces, chokers, and even on bars, similar to the bars on an apron skirt.

towels at the bottom of beach bags, and the nostalgic sarong-like cotton filters and spiral-shaped skirt. Turritella shells are glued to necklaces, chokers, and even on bars, similar to the bars on an apron skirt.

As usual, each piece of Kiko looks slightly distorted – as if it was suddenly depleted but short, overcooked.

Sol Nash opened the second day of London Fashion Week and presented his debut solo runway show that ended fashion during the pandemic. This season offers autobiographical London Fashion Week depth as Nash returns to his teenage years and high school experiences and lives all the long-lost moments.

And while the designer admits that this memory is already quite fragmented, the body – as they say – retains the result. Models move in a choreographed mass while others perform jagged and twisting solos. Little by little, Nash plays and distorts the past using magnets, twisted patterns. And ergonomic pieces to deconstruct brackets for school uniforms.

The short-sleeved shirt is woven through crisp nylon; the knit sweater is stitched with a V-neck to make it look like a school sweater. While the strong pants are chic pants from the supermarket. Against the backdrop of a TFL bus stop, this collection reflects all the hallmarks of growing up in London. The folded Just Do It bag, kicker, and Nash-printed zip card on the back of the cagoule.

NANCE MILK

Unsurprisingly, Nancy Dodjaka just made an irresistible offer that should London Fashion Week tempt you to remove her locking layer on the upcoming SS22. When she made her debut solo show on day one of LFW’s big comeback (Oh my god, they wouldn’t grow so fast?) LVMH’s newborn winner internationally.

Naturally sent several barren silk chiffon shoes, which she does so well on the track. Only this season the bold transparent look has been combined with something warmer – in the form of a cigarette and a narrow jacket with too broad shoulders. In addition, this time, Dodjaka expands his color palette.

In the past, people stuck to a strict Gothic range of black, gray, and brown, so the SS22 was made up of pale powder and flamingo pinks. Rusts, and reds, which curled as subtle accents in the stitching and laces around the model’s body. A truly stunning collection, but I can’t help but look and wonder how good it would look on a model or two with curves. Next season?